If photography is an event then looking at photography should also be an event. Look again at Henri Cartier-Bresson’s photograph Behind the Gare Saint-Lazare in Part Three. Is there a single element in the image that you could say is the pivotal ‘point’ to which the eye returns again and again? What information does thisContinue reading “Exercise 5.3: Looking at photography”
Category Archives: Project Exercises
Exercise 5.2: Homage
Brief Select an image by any photographer of your choice and take a photograph in response to it. You can respond in any way you like to the whole image or to just a part of it, but you must make explicit in your notes what it is that you’re responding to. – For thisContinue reading “Exercise 5.2: Homage”
Exercise 5.1: The distance between us
Brief Use your camera as a measuring device. This doesn’t refer to the distance scale on the focus ring. Rather, find a subject that you have an empathy with and take a sequence of shots to ‘explore the distance between you’. Add the sequence to your learning log, indicating which is your ‘select’ – yourContinue reading “Exercise 5.1: The distance between us”
Exercise 4.2: Artificial Light
Capture ‘the beauty of artificial light’ in a short sequence of shots (‘beauty’ is, of course, a subjective term). The correct white balance setting will be important; this can get tricky –but interesting – if there are mixed light sources of different colour temperatures in the same shot. You can shoot indoors or outside butContinue reading “Exercise 4.2: Artificial Light”
Exercise 4.4: Personal Voice
Make a Google Images search for ‘landscape’, ‘portrait’, or any ordinary subject such as ‘apple’ or ‘sunset’. Add a screengrab of a representative page to your learning log and note down the similarities you find between the images. Now take a number of your own photographs of the same subject.Add a final image to yourContinue reading “Exercise 4.4: Personal Voice”
Exercise 4.3: Egg or Stone
Use a combination of quality, contrast, direction and colour to light an object in order to reveal its form. For this exercise we recommend that you choose a natural or organic object such as an egg, stone, vegetable or plant, or the human face or body, rather than a man-made object. Man-made or cultural artefactsContinue reading “Exercise 4.3: Egg or Stone”
Exercise 4.1: Daylight
For the first project I was to explore the characteristics of natural light. Drawing inspiration from artists as a starting point and concluding with observations. Sally Mann | Eugène Atget | Micheal Schmidt Mann, an American photographer who was initially known for her black and white photographs of her children, and then later for landscapes.Continue reading “Exercise 4.1: Daylight”
Research + Exercise 3.2- Trace
This exercise was very experimental and fun for me- I learnt and read about new interesting photographic techniques and applied some to my own photographs. Taking inspiration from Robert Capa and Horoshi Sugimoto. Robert Capas‘ famous normandy photographs are truly iconic as they provide a unique documentation of the event. The photos play out theContinue reading “Research + Exercise 3.2- Trace”
Exercise 3.3 “What matters is to look”
Find a good viewpoint, perhaps fairly high up (an upstairs window might do) where you can see a wide view or panorama. Start by looking at the things closest to you in the foreground. Then pay attention to the details in the middle distance and, finally, the things towards the horizon. Now try and seeContinue reading “Exercise 3.3 “What matters is to look””
Research + Exercise 3.2- Trace
This exercise was very experimental and fun for me- I learnt and read about new interesting photographic techniques and applied some to my own photographs. Taking inspiration from Robert Capa and Horoshi Sugimoto. Robert Capas‘ famous normandy photographs are truly iconic as they provide a unique documentation of the event. The photos play out theContinue reading “Research + Exercise 3.2- Trace”